Αντώνης Στοαντζίκης
04_Greuze, 2018, oil on canvas, 90x120.jpg

2018-19

As Quiet Romantic In Its Dilapidation

“As Quiet Romantic In Its Dilapidation”

Is a phrase coming from the book of Anatole France “The Gods Will Have Blood”, a novel published in 1912. Anatole France tells the story of Gamelin, a young painter that transforms from an idealistic artist to a ruthless judge during the French Revolution. Gamelin’s ideals led him to the cruel mass murder of his fellow citizens, a madness that cut off the heads even of his nearest and dearest. The book recreates the violence and disaster during the dark years of the Terror and evolves as a pervert love story above the ruins. What triggered me while reading this book is that in my endeavor to understand, I mainly projected my own experiences and images, while during this process the mechanisms of memory played the most important role. With these thoughts as a starting point together with the myriad of subtle ironies of the novel, I tried to re-create the spirit of the story but this time with the use of my own experiences and memories. The work was presented at Hyle[matter] & SPACE52 in 2019.

Greuze, 2018, oil on canvas, 90x120cm

Jungle Dub, 2019, oil on canvas, 80x100cm

Resynthesis, 2019, oil on canvas, 60x70cm

The Last Glow, 2019, oil on canvas, 170x210cm

The Oath, 2018, oil on canvas, 180x210cm

Cicada, 2018, oil on canvas, 180x190cm

Dance Of The Guillotine, 2018, oil on canvas, 80x100cm

Thermidorians, 2018, oil on canvas, 200x150cm

Study for “Jacobins”, 2018, oil on canvas, 50x70cm

The Court, 2018, oil on canvas, 170x210cm

The Artist As A Young Man, 2018, oil on canvas, 30x24cm